Evangelion: 2.0 You Can (Not) Advance Review

Every once in a while an anime movie comes along that redefines the word 'masterpiece'... Ghost in the Shell, Spirited Away, The Girl Who Leapt Through Time and so on. Evangelion 2.0 is no exception. It sets the bar even higher and presents you with one of the best movie experiences you will witness in a long time. If any anime movie were to approach the realm of perfection, it would be this one.

While the first Rebuild of Evangelion movie followed the series quite closely, events are drastically changed in 2.0. The plot is vaguely the same as in episodes 8 to 19 of the series, but it's played out very differently and a lot of scenes are taken out, and a lot of new ones are added in. Evangelion 2.0 is planned out so well that you can't even tell it's derived from a series, it is basically an original movie. The pacing is superb, nothing seems rushed and nothing seems too slow. The plot is as mysterious as ever and there are new elements in the movie that you wouldn't even begin to imagine would ever be present in the series. One should never underestimate Hideaki Anno. He has managed to recreate Evangelion, make it as good as ever and with absolutely no flaws.

The phrase 'too good for words' is often used so much that people have forgotten what it really means. It doesn't just describe something that's good, it describes something that words simply cannot do justice. It's the most appropriate phrase to use when attempting to explain the visuals in Evangelion 2.0. One quick glace at the staff list on ANN is enough to know that this movie was in good hands. Takeshi Honda, Atsushi Nishikiori, Sachiko Okumura and Kumiko Terada are just a fraction of names among the huge list of people that worked on the animation. Between them they've worked on productions such as The Sky Crawlers, Millennium Actress, Spirited Away, Tengen Toppa Gurren Lagann, Howl's Moving Castle, Furi Kuri, Diebuster, Ghost in the Shell and the original Evangelion series. With staff this great it was inevitable that the visuals in Evangelion 2.0 would be nothing less than breathtaking. Bold, clean, dazzling, dynamic and filled with movement and fluidity, the animation is, without a doubt, some of the best I have ever seen in an anime.

The soundtrack was composed by Shiro Sagisu, who also provided the music for the original series and The End of Evangelion. While the music in Evangelion 2.0 sounded a little different from what I remember in the original series, the charm is still there and it definitely fits Evangelion's style. The music in Evangelion 2.0 actually took me by surprise. I never remembered it sounding so good in the first Rebuild of Evangelion movie, but from the opening song to the ending credits by Utada Hikaru, I loved every piece of music in Evangelion 2.0. There is a nice range of music and it all flows flawlessly with the visuals - the two were meant to be together. Yep, I even liked the two dramatic scenes with jolly-sounding background music. This is Evangelion, after all. Both songs add a fantastic contrast to the brutality that is happening on screen and the lyrics of the first song add a welcomed sense of irony to the sequence.

Evangelion 1.0 lacked a bit in the character department as the charismatic Asuka wasn't there to drive the movie along, and we were reacquainting ourselves with the other characters who, at that moment, weren't doing anything new. We were already familiar with them from the original series, so the character development wasn't notably the most exciting part. The characters drastically change in Evangelion 2.0, however. Asuka has a similar, but notably different personality to her series counterpart. Her family name has even been changed to Shikinami to accompany this change in personality, and you'll find yourself noticing that her and Rei were acting in ways (in Evangelion 2.0) that you would have never imagined them acting in the series. This brings a fresh new element to the movie, which should be viewed as a good aspect and looked forward to, as the change in certain characters personalities actually benefits the movie greatly. Another change to the characters in particular is the introduction of Mari, the newest member of the cast. Very little is revealed about her in the movie, which some will undoubtedly have a problem with, but it adds yet more mystery and suspense to the film, along with another reason to look forward to the next installment. Mari's scenes are entertaining as hell and with the mystery comes intrigue, she is an enchanting character that will certainly leave an impression, as well as many curious minds.

I tried not to blink while watching Evangelion 2.0 because I didn't want to miss even a millisecond. My mouth was also wide open for the majority of the film. No, I wasn't yawning - it was wide open in awe. My eyes actually turned square (more like rectangle in this day and age) from focusing too much on the screen as well. Okay, maybe I'm exaggerating a bit, but that's what it's like watching Evangelion 2.0. That's how enjoyable it is. It's not that you don't want to look away, you can't look away. Your eyes are drawn to the screen because you know something epic is coming up. Your ears are always alert because you want to hear every bit of the wonderful soundtrack, and your brain blocks out everything surrounding you and the screen to enable the best possible viewing experience. The simple fact is - Evangelion 2.0 is quite possibly one of the most enjoyable anime movies ever made.

You can sleep soundly knowing not to worry about watching Evangelion 2.0 with too high expectations, because it's sure to exceed them and considerably more in addition. In my opinion, this movie could not have been any better. It blew me away like a moth in a hurricane. Bring on Evangelion 3.0 and 4.0! Looking at how the first two movies have covered two thirds of the entire series and how Evangelion 2.0 has drastically changed the direction of the story and has introduced many new elements, I can't even begin to speculate what is going to happen in the next installment, let alone how the Rebuild of Evangelion tetralogy will end. Evangelion 2.0 will leave you eagerly awaiting the last two movies with anticipation like no other. I am so thankful to Hideaki Anno and the rest of Gainax and Studio Khara for creating this wonderful reimagining of Evangelion. It really does not get any better than this.